May 2015 - Blog
Film Editor Margaret Sixel was given over 480 hours of footage to create MAD MAX: FURY ROAD. The final edit ran 120 minutes and consisted of 2700 individual shots. That’s 2700 consecutive decisions that must flow smoothly and immerse the viewer. 2700 decisions that must guide and reveal the story in a clear and concise manner. One bad cut can ruin a moment, a scene or the whole film. No pressure!
The most popular editing tendency for action scenes and films over the last 10 years has been the “Chaos Cinema” approach. A barrage of non-congruent and seemingly random shots that overwhelm the viewer with a false sense of kinetic energy and power. It can be effective in smaller doses, but exhausting and confusing when absorbed for 2 hours. If the story is incomprehensible due to editing…you are doing it wrong. So how do you keep action scenes energetic and fresh without shaky cameras and hypersonic editing? Read more…
The film editor can most often be found in a dark cave, crafting a story as deadlines loom. Sometimes we emerge out into the light and get to interact with other human beings. At NAB 2015 in Las Vegas this year, I was invited to speak at the Adobe booth to discuss 3 projects I recently edited.
The 24-minute video below breaks down my technical and creative process for feature films, documentaries and music videos. Hopefully you will find some good nuggets in my babbling!
Links to in-depth articles on the 3 projects I edited with Premiere Pro:
Quick interview on my favorite new features in Premiere Pro CC from NAB 2015:
Until next time…