After working on VFX intensive feature films like: Deadpool, Gone Girl and Sharknado 2, I’ve learned the power of both subtle and overt visual effects.
In 1992 Francis Ford Coppola filmed Bram Stoker's DRACULA with no CGI or digital VFX. He fired his Visual Effects team that said the shots he wanted could...
David Fincher is known for his creative and visually ground-breaking title sequences. From the frenetic and kinetic jagged cuts of SE7EN to the CGI extravaganza of THE GIRL WITH...
I spent 10 months editing 6 BELOW and you only need 97 minutes to enjoy it! It’s in theaters October 12th and available to stream in HD on October 13th.
On 3/9/2011, John Fell Ryan and Akiva Saunders produced the first screening of THE SHINING FORWARD AND BACKWARD, SIMULTANEOUSLY, SUPERIMPOSED. In their experimental film, they digitally re-edited THE SHINING so...
Film Editing begins with organization. A feature film can have anywhere from 77 minutes of footage as in PRIMER to over 500 hours of footage shot on DEADPOOL. On...
[caption id="attachment_5980" align="aligncenter" width="640"] Photos courtesy of: Scotty Waugh, Mike Svitak and Derek Edwards[/caption] I've just finished editorial on the feature film 6 BELOW starring Josh Hartnett and...
[caption id="attachment_5960" align="aligncenter" width="640"] Vashi Nedomansky at FOX Studios in Century City for DEADPOOL screening[/caption] UPDATE: After I was hired as editorial consultant on DEADPOOL, one of the...