Overview
Our brand educates filmmakers across the globe at every phase of their development by disseminating knowledge, research and insights from renowned Hollywood film editor Vashi Nedomansky, ACE.
As purveyors of excellence, we produce unique content for a creatively erect audience dispersed across every country on the globe.
- Date Founded: February 2011
- Headquarters: Santa Monica, California
- Team Size: 4
- Press Contact: annmarie@vashivisuals.com
Audience & Demographics
Reach
- 1-2 Million social media impressions per month
- Global website reach with views from every country on the planet
- Over 4.8 Million blog page views
- Tens of thousands of digital asset downloads
- Official YouTube Partner with over 1.5 Million minutes watched
Age
The majority of social media followers are between the ages of 18–34.
Top Countries
- United States
- India
- United Kingdom
- Indonesia
- Canada
- Brazil
- Germany
- Spain
- Australia
- France
About
Vashi Nedomansky, ACE
Vashi Nedomansky, ACE
- Editor of 11 Hollywood Feature Films
- Designed custom post-production workflows for SHARKNADO 2, GONE GIRL, DEADPOOL
- Edited the first Native 6K Feature Film in the history of Hollywood
- Specializes in large scale, high resolution
- Future-proofs workflows covering pre-production through final deliverables for commercials, music videos, documentaries, web content, large-scale art installations & feature films
–
Editor of the Largest Scale
Video Installation in the World
Tom Bradley International Terminal LAX Video Installation
- The Tom Bradley International Terminal at LAX is the largest public works project in Los Angeles City history
- 120-foot wide Story Board video wall edited by Vashi Nedomansky, ACE
- Director Jon Carr shot the RED 6K footage all over Los Angeles County, Vashi edited the files into a collage pattern on a 6K timeline
Tom Bradley International Terminal LAX Video Installation
Editor of the First Native 6K
Feature Film in Hollywood History
Josh Hartnett in “6 Below” Directed by Scott Waugh
- “6 BELOW” starring Josh Hartnett & Mira Sorvino, Directed by Scott Waugh (Need for Speed, Act of Valor), Edited by Vashi Nedomansky, ACE
- First feature film to be edited natively in 6K
- The only 100% Barco Escape 3-screen immersive feature film in history
Screening of “6 Below” in Immersive Barco Escape Format
Consulting
Vashi has trained over 40 fellow ACE film editors on his post-production workflows, including:
- Kirk Baxter – Gone Girl
- Michael Tronick – True Romance
- Angus Wall – Girl with the Dragon Tattoo
- Bruce Green – Raiders of the Lost Ark
- Billy Fox – Straight Outta Compton
- Dan Zimmerman – The Maze Runner
- Nicolas De Toth – X-Men Origins: Wolverine
- Jon Corn – Curb Your Enthusiasm
- Julian Clark – DEADPOOL
Vashi has collaborated with and produced content for some of the largest brands in the world:
Brands VashiVisuals has worked & collaborated with
Keynote Speaker
Vashi has been an invited keynote speaker at various industry events including:
Speaking Venues
Featured In
Putting Deadpool Into Practice: Premiere Pro Project Template and Presets
Filmmaking Team Delivers Panoramic, 6K Experience in 6 Below
Vashi Nedomansky edits documentary on PTSD with Adobe Premiere Pro CC
3 ways post-production professionals can build a personal brand
ART OF THE CUT on cutting “DEADPOOL” with Premiere Pro CC
Q&A with Editor Vashi Nedomansky
Vashi Nedomansky edits documentary on PTSD with Adobe Premiere Pro CC
Sharknado 2 and Vashi’s Premiere Pro Editorial Workflow
How ‘Sharknado 2’ Editor Vashi Nedomansky Cuts High-Profile Projects on Premiere Pro
Vashi Nedomansky’s 7 Commandments of Film Editing
Get the Perfect Slow Push-In in Post with Vashi Nedomansky’s Premiere Pro Preset
Want to Edit a Blockbuster? Stay Organized with This Free Premiere Pro Timeline Template
Replicate the Anamorphic Look and Feel with Vashi Nedomansky’s Free After Effects Plugin
Here’s Every Single One of the 2,400 Shots in ‘Gone Girl’ and Other Fincher Movies
Free Ultra High-Resolution Aspect Ratio Templates for Your Next 4K, 5K, or 6K Project
Furious Film Editing: Watch Five Films That Average 2 Seconds Per Shot
A Look into Making Low-Cost VFX Using Forced Perspective
Using Toys and Forced Perspective to Get Professional, Low-Budget Visual Effects
The Center-Framed Style of Mad Max: Fury Road
Crazy Footage Captured by Canon 5D Mark II Crash Cams Put in Harm’s Way
How to Properly Pancake Timelines in Adobe Premiere Pro
5 Inspiring Filmmaking Tutorials Under 5 Minutes
Free Anamorphic Template for After Effects
How Important Is the Content of a Trailer?
Video Editing Timelines from Gravity, Kick Ass 2, Network TV Shows and More
DaVinci Resolve’s Boring Detector — Offensive or Misunderstood?
Forget 4K or even 8K. 6K is the future of film.
This Video Shows All Of Alfred Hitchcock’s Hidden Cuts In ‘Rope’
Iconic bridge from Hollywood movies to shut down
MAD MAX: Fury Road is still comprehensible at 12x speed
Watch 23 of the best dolly zooms in cinematic history
See 46 shots that were cut from Rogue One: A Star Wars Story
The Cinematography of ‘Mad Max: Fury Road’ Explained
Watch: All 15 Split Diopter Shots in Brian DePalma’s ‘Blow Out’
The Secret Of Mad Max: Fury Road’s Brilliance: It’s All In The Editing
Did Saul Bass Direct the Shower Scene In Psycho?
Center Framing Is What Makes Mad Max: Fury Road Such an Enjoyable Action Movie
The 10 Cuts in Hitchcock’s Rope
Every Rogue One Shot That Was In The Trailers, But Not The Movie
Why Mad Max: Fury Road Is So Easy To Watch
Press Contact
Email: annmarie@vashivisuals.com
Phone: 310-494-6197
Address: 3435 Ocean Park Blvd #658
Santa Monica, CA 90405