A Filmmaking Blog | VashiVisuals Blog
THAT WHICH I LOVE DESTROYS ME is a documentary film focusing on PTSD that I edited for director Ric Roman Waugh. On October 25th 2014, The Austin Film Festival will host the first public screening of the film. Read more…
With the release of GONE GIRL this weekend, many filmmakers and film fans want to learn more about David Fincher and his filmmaking style. His precision, artistry and impeccable style of storytelling is the result of decades of fine-tuning the filmmaking craft. He started his career at Industrial LIght and Magic (ILM) in 1983 and worked on Return of the Jedi and Indiana Jones and the Temple of Doom. Enjoy my 1-Page Film School on PANIC ROOM.
Raiders of the Lost Ark is a glorious obsession of mine. I have watched it close to 100 times and always glean a new detail or filmmaking tidbit on each viewing. As a child I looked up to Indy, now as a filmmaker I look up to Spielberg. Raiders of the Lost Ark is a masterpiece that fires on all cylinders with equal parts: adventure, comedy, action, thriller, love story and the supernatural. I’ve scoured the internet for rare content and also created my own video essays in order to assemble this ’1-Page Film School’.
The included resources are: 17 embedded Videos and 9 downloadable PDFs. They are all compiled below to create a detailed and informative database showcasing Raiders of the Lost Ark’s intricate components. It covers: Directing, Film Editing, Cinematography, Screenwritiing, Sound Design and Music. It’s not something that can be consumed in one sitting…so take your time and chunk away when you can. Please enjoy my first ’1-Page Film School’ with its amazing insights into the Craft of Filmmaking!
Film Editing is much more than “cutting out all the bad parts” whilst sitting in a dark room pushing buttons. Here’s 3 thoughts on what it means to me…
The Film Editor
Until next time…
Adobe just revealed some of the newest features in the upcoming Premiere Pro CC 2014.1 (8.1 Update). They include many improvements to both the GUI and organizational options plus severe boosting of power under the hood. I’ve been lucky enough to have used this release on a couple professional jobs already and wanted to share some project screen grabs showing these updates in action!
In late 2013, David Rimawi (co-founder of The Asylum) told me that they were making Sharknado 2. I responded by telling him I was going to edit it. A very cocky answer indeed…but I really wanted to cut Sharknado 2…so I rolled the dice. I never brought it up again and 3 months later he called me and offered me the job. I accepted.
JAWS was the first film I ever saw. It was at a drive-in theater with my parents in the back of our convertible VW bug. The last 30 minutes, I hid in the backseat under a blanket…scared shitless. Since then I have been obsessed and petrified with sharks. Since beginning to edit film at the age of 13, I’ve always wanted to edit a shark movie. Well…I got my wish and would love to share the process of how I edited Sharknado 2 with you. Read more…
SHARKNADO 2: The Second One really amplified the creative ways in which both sharks and humans could be killed in a movie. The original SHARKNADO was no slouch at gruesome deaths but there was room for improvement. Almost 4 million people watched the sequel on July 30th. The next day it aired in 86 countries around the world. The numbers are not in but I’m sure that The Asylum and SyFy shared their special brand of film with millions more…
In the Super Death Cut below…I’ve condensed every shark and human death into a 3 minute blood orgy that serves no other purpose than to put a smile on your face and a tongue in your cheek. Enjoy!
Next week I will be posting an in-depth breakdown showcasing the edit and post production workflow I employed in cutting SHARKNADO 2. Check back then for an exclusive behind the scenes look into how it was done!
Until next time…
HEADLOCK is the futuristic spy thriller film I’m editing right now.
Written and directed by Mark Polish, it stars: Dianna Agron, Andy Garcia, Justin Bartha, James Frain, D.W. Moffett, Johnny Pemberton, Patrick Bauchau and Mark Polish. HEADLOCK will be invading your brain in 2015.
Editors don’t often spend too much time on set. But I needed some sunshine and to spend time with my filmmaking family. I asked Dianna to pose for this photo during top secret filming in Lancaster, California. It’s 105 degrees Fahrenheit and yet Dianna and her custom Cadillac look quite cool.
Excited to share the filmmaking journey of HEADLOCK with you all. I will be constantly updating my blog with new information.
Tonight is the world premiere of SHARKNADO 2: The Second One. I spent 6 harrowing and insane weeks editing this beast. Tonight…I get to share the final results of all our hard work. Love it or hate it…SHARKNADO 2 is coming! There will be BLOOD! Here’s a sneak peek at the first previs animatic video I received during editorial. On the left side is the previs and on the right side the final completed visual effect as it will look in the film.
There are over 300 visuals effect shots in SHARKNADO 2. As an editor it’s always nice to have an animatic to judge the timing and length of the shot and how it plays with the shots before and after it. Tonight is the Premiere on the SyFy network. Tomorrow it will air in 86 countries around the world.
IT’S A GLOBAL SHARKNADO!!!
Until next time…