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A Filmmaking Blog | VashiVisuals Blog

19

Apr
2015

No Comments

In Photography

By vashi

MOBY – New album is titled BABY LUCIFER

On 19, Apr 2015 | No Comments | In Photography | By vashi

I just got home from an enthralling 2-hour interview with the musician / photographer / alien known as MOBY. Hundreds of people attended the interview at the Annenberg Theater within the Palm Springs Art Museum hosted by Brad Dunning. Moby drove in from Los Angeles just for this event and discussed his love of architecture, semiotics, city planning and he also revealed the name of his new album coming out in September 2015.

 

Moby revealed the name of his new album

Moby shared his thoughts on architecture, photography and music.

 

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3K 4K 5K 6K Aspect Ratio Free Templates

On 07, Apr 2015 | No Comments | In Editing, Low Budget Filmmaking | By vashi

One of the most post popular posts on VashiVisuals over the last 2 years is
The Ultimate Aspect Ratio Guide which shows 70 film frame sizes covering the history of cinema. It also includes 70 FREE widescreen templates in 1080 and 720 resolutions for filmmakers. HERE’s THE 2015 UPDATE…

 

56 FREE widescreen templates

 

In the past few years, 2K / 3K / 4K / 5K / 6K cameras have surged onto the filmmaking scene, so I have created 56 FREE templates (available to download below) to cover all these new frame sizes and resolutions. They are all PNG files (with transparencies) that can be imported into any NLE/VFX software and then dropped onto your full resolution footage to create cinematic framings.

Here are the 8 aspect ratios I’ve chosen: Read more…

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18

Feb
2015

No Comments

In Photography

By vashi

Palm Springs Wind Farm – Photo Essay

On 18, Feb 2015 | No Comments | In Photography | By vashi

The San Gorgonio Pass Wind Farm is one of the windiest places in Southern California. That’s why 3218 wind turbines are strewn across the desert outside of Palm Springs. Everyone driving past on interstate 10 instinctively starts wildly snapping photos with their phone at 70mph. The results are often unsatisfactory. My Instagram account proves me guilty of this too many times!

Yesterday, I decided to take my time, drive around and let my eye find some pleasing angles and dramatic views to capture. It was late in the afternoon and the sun was dropping behind the 10,834 feet high San Jacinto Mountains.

Here are the results… (CLICK TO ENLARGE PHOTOS)

 
 
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15

Jan
2015

No Comments

In Cinematography

By vashi

The Cinematography of IDA

On 15, Jan 2015 | No Comments | In Cinematography | By vashi

Sometimes the composition of a static frame can overwhelm you. The power of a carefully crafted image can be staggering.The Polish film IDA was just nominated for the Best Cinematography Oscar by The Academy.

90% of the film is shot on a locked off tripod. With so many tools (dollies, sliders, cranes, drones, steadicams, Movis…) available to filmmakers, it is refreshing to experience a movie that chose so many exquisite and deliberate static frames to best tell the story.

Each new shot reveals something about the lead character. Emotions, state of mind and the story’s drama are expressed by the use of camera placement and lighting…not by spoken words. Do yourself a favor and track down this stunning film to experience the power of the static camera.

 

Here are 52 of my favorite shots from IDA (click image to enlarge)

 

52 static shots from IDA

CLICK TO ENLARGE

 

Shot on Arri ALEXA in 1.33:1 aspect ratio with Zeiss Ultra Primes. In post production, the color footage was converted to black and white with Nucoda.

IDA recalls for me, the classic cinema of the 1940′s, evoking visual elements of both film noir and Italian Neo-realism.

 

3 minutes of IDA

 

DP Ryszard Lenczewski took 3000 photographs to previz and storyboard the film.

 

 

Lighting diagram of kitchen scene

Lighting diagram for kitchen scnes

www.theasc.com/asc_blog/thefilmbook/2014/05/13/lighting-scenes-ida-with-lukasz-zal/

 

Learn more about the cinematography of IDA from the DPs

Lukasz Zal & Ryszard Lenzewski HERE and HERE.

 

SOURCE: LENSCULTURE article written by Alexander Strecker

 

“Ida: Sketches” – photos by Ryszard Lenczewski

one of 3000 photographs used to previz and storyboard IDA

 

 

RELATED:

Ultimate Aspect Ratio Guide
The Cinematography of The Ipcress File (1965)

 

Until next time…

vashivisuals.com

@vashikoo

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10

Dec
2014

No Comments

In Color Grading
Editing

By vashi

MAD MAX: Fury Road trailer

On 10, Dec 2014 | No Comments | In Color Grading, Editing | By vashi

Cinematic insanity and Verdi’s Requiem (Dies irae) make MAD MAX: Fury Road one of the most viscerally assaulting and effective trailers I’ve ever seen.
Kudos to the editor and creative team that crafted this masterpiece.

 

Cinematic and sonic perfection in this trailer

CLICK ON IMAGE FOR HUGE 3K IMAGE

 

Clear and understandable action with classically framed shots pushed to the limit using saturated colors…mixed with a sonic barrage of classical music elevates this trailer to bombastic heights. The pacing is also epic with a slow start and long dramatic shots which lead into a frantic second half that cascades shot after shot upon the viewer. It is controlled chaos…kinetic yet beautiful.

The trailer is 140 seconds long. (1.57 seconds per shot)
23 shots in the first 80 seconds.
(3.48 seconds per shot)
66 in the final 54 seconds.
(.82 seconds per shot)

This trailer achieves the rare feat of showing what looks like most of the major action scenes yet leaves the narrative untouched so the viewer still has the desire to go see the film. Tough to pull off but in my opinion they totally nailed it.

 

 

Coming to theaters Summer of 2015.

 

More images from Mad Max Fury Road

CLICK ON IMAGE FOR HUGE 3K VIEWING

 

Until next time…

vashivisuals.com

@vashikoo

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01

Dec
2014

No Comments

In Editing
One Sheets

By vashi

Sam O’Steen on Film Editing

On 01, Dec 2014 | No Comments | In Editing, One Sheets | By vashi

Sam O’Steen has edited some of the most memorable films in Cinema history. CHINATOWN, ROSEMARY’S BABY, THE GRADUATE and COOL HAND LUKE are just some of the classic films he crafted shot by shot. Both Sam and I follow the practice that there is a hierarchy of importance that should be followed when editing a film. A single, great edit that calls attention to itself, does not help tell the story. It calls attention to the film editor in a masturbatory way…LOOK AT ME! LOOK WHAT I DID! The invisible art of film editing must carry the audience on a journey for the length of the film like a leaf on the wind. It should feel effortless and not reveal the manipulations and decisions made shot by shot to achieve the final film.

 

The 3 rules of film editing by Sam O'Steen

The film editing philosophy of Sam O’Steen

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PENTATONIX – Mary Did You Know?

On 22, Nov 2014 | No Comments | In Color Grading, Editing, Low Budget Filmmaking | By vashi

The first week of November, director Laura Merians asked me to edit and color grade a music video. I had a week available in-between projects so I jumped in with both feet. 6 days later I finished post production and we put it on YouTube.

It had 26 million views in the first month. It struck a nerve with people all over the planet and went viral. Here is PENTATONIX’s ‘Mary Did You Know?’

 

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THAT WHICH I LOVE DESTROYS ME

On 21, Oct 2014 | No Comments | In Editing, Low Budget Filmmaking, Production | By vashi

directed by Ric Roman Waugh

 

THAT WHICH I LOVE DESTROYS ME is a documentary film focusing on PTSD that I edited for director Ric Roman Waugh. On October 25th 2014, The Austin Film Festival hosted the first public screening of the film. Read more…

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David Fincher – PANIC ROOM 1-Page Film School

On 04, Oct 2014 | 2 Comments | In 1-Page Film School, Production | By vashi

With the release of GONE GIRL this weekend, many filmmakers and film fans want to learn more about David Fincher and his filmmaking style. His precision, artistry and impeccable style of storytelling is the result of decades of fine-tuning the filmmaking craft. He started his career at Industrial LIght and Magic (ILM) in 1983 and worked on Return of the Jedi and Indiana Jones and the Temple of Doom. Enjoy my 1-Page Film School on PANIC ROOM.

Title image from PANIC ROOM

The floating title sequence of PANIC ROOM (2002)

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The ‘Raiders of the Lost Ark’ 1-Page Film School

On 28, Sep 2014 | No Comments | In 1-Page Film School, Raiders of the Lost Ark | By vashi

Raiders of the Lost Ark is a glorious obsession of mine. I have watched it close to 100 times and always glean a new detail or filmmaking tidbit on each viewing. As a child I looked up to Indy, now as a filmmaker I look up to Spielberg. Raiders of the Lost Ark is a masterpiece that fires on all cylinders with equal parts: adventure, comedy, action, thriller, love story and the supernatural. I’ve scoured the internet for rare content and also created my own video essays in order to assemble this ’1-Page Film School’.

The included resources are: 17 embedded Videos and 9 downloadable PDFs. They are all compiled below to create a detailed and informative database showcasing Raiders of the Lost Ark’s intricate components. It covers: Directing, Film Editing, Cinematography, Screenwritiing, Sound Design and Music. It’s not something that can be consumed in one sitting…so take your time and chunk away when you can. Please enjoy my first ’1-Page Film School’ with its amazing insights into the Craft of Filmmaking!

 

Original 1981 theatrical poster for Raiders of the Lost Ark

The original 1981 theatrical one-sheet for Raiders of the Lost Ark

 

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