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Editing Archives - Blog

10

Dec
2017

No Comments

In Editing

By vashi

What Do These Films All Have in Common?

On 10, Dec 2017 | No Comments | In Editing | By vashi

 

 

My 11 favorite films

What do these films all have in common?

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18 Free Effects for After Effects & Premiere [Plugins]

 

Free Effects for After Effects - Updated Version 2.0

Favorite Plugins & Presets – Version 2.0

 

When editing any project, there are moments when a visual effect can be applied to help the story be told. These effects can emphasize something to make it more evident, subtly isolate a certain element or blend several assets into one shot. Sometimes these effects are added only as eye candy to add production value to a project. Ideally, you are not adding visual effects to hide mistakes or to cover up deficiencies in the story…but this has been know to happen. (Guilty as charged!)

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The Best Feature Film with No CGI:
Bram Stoker’s Dracula

On 14, Nov 2017 | No Comments | In Cinematography, Editing, Low Budget Filmmaking, VFX | By vashi

 

 

In 1992 Francis Ford Coppola filmed Bram Stoker’s DRACULA with no CGI or digital VFX. He fired his Visual Effects team that said the shots he wanted could not be accomplished without modern digital technology. He hired his son Roman Coppola (only 24 years old at the time) and together they shot all the visual effects with either in-camera and on practical sets. The relied upon tried and true techniques that went back to the birth of cinema. The results were beautiful, organic and surreal while using every trick from the previous 100 years of filmmaking. What could have been done digitally was instead created practically by skilled craftsmen that are slowly becoming obsolete in Hollywood.
I hope that day never fully arrives.

 

 

Here are the practical techniques used to create the visual effects:
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16

Oct
2017

2 Comments

In David Fincher
Editing

By vashi

All 25 Subliminal Shots in David Fincher’s MINDHUNTER Netflix Title Sequence

On 16, Oct 2017 | 2 Comments | In David Fincher, Editing | By vashi

 

David Fincher is known for his creative and visually ground-breaking title sequences.

From the frenetic and kinetic jagged cuts of SE7EN to the CGI extravaganza of THE GIRL WITH THE DRAGON TATTOO to the North by Northwest inspired large static font in PANIC ROOM.

The Title Sequence is a chance for the filmmaker to set the tone and prepare the audience for the world they are about to enter.

In Fincher’s new NETFLIX show MINDHUNTER…the use of subliminal edits is used to cue the viewers to the violent world of serial killers.

 

All 25 images in the Mindhunter Netflix Title Sequence

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How I Created the First 6K Native Workflow for a Hollywood Feature Film

On 14, Oct 2017 | 8 Comments | In 6 Below, Editing, Premiere Pro | By vashi

 

Premiere Pro Timeline - Editing 6 Below the Movie

My Premiere Pro Timeline – Editing 6 Below the Movie

 

As a filmmaker, I always want to challenge myself both creatively and technically. I pursue projects that can stimulate me on several levels. If I am going to commit a year of my life to a feature film…it is crucial that I walk away with new skills, a successful storytelling experience and a lot of fun in the trenches with my team.

 

6 Below the Movie starring Josh Hartnett

Movie poster for 6 Below starring Josh Hartnett

 

 

THE BEGINNING

When I was asked by director Scotty Waugh to edit 6 BELOW…all my personal and professional requirements were met. All the checkboxes were ticked. The true story of Eric LeMarque, a professional hockey player, that went snowboarding and got trapped in a snowstorm on an isolated mountain for 8 days was riveting.

As fate would have it, Scotty didn’t know I knew Eric LeMarque when he asked me to edit the film. He didn’t know that Eric and I both played professional hockey together 15 years earlier. That only added to the immense sense of responsibility I had to deal with in telling his true story in the best manner possible. The conflict of editor versus friend.
No pressure!

 

Hockey with Josh Hartnett and Eric LeMarque

Trevor Tracy (Josh double) / Eric LeMarque / Josh Hartnett / Vashi Nedomansky

 

Then Scotty dropped a couple huge technical bombs on me. 6 BELOW would be the first entire feature film in the history of Hollywood to be presented in the Barco Escape format. The 7:1 aspect ratio is the widest of any format in 100 years. Three 2K DCPs are projected in sync onto 3 full-sized movie screens to create an incredibly immersive viewing experience.

On top of that, we also had to deliver a 2.76:1 aspect ratio (same as the 70mm version of “The Hateful Eight”) theatrical version for traditional one-screen theaters. That meant two complete separate feature film edits to accommodate for the different framings of each format.

After all that…there was one more surprise that Scotty had waiting for me…

 

Editing for Barco Escape

Editing for Barco Escape format

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6 BELOW World Premiere October 12, 2017

On 07, Oct 2017 | No Comments | In 6 Below, Editing, Premiere Pro | By vashi

6 BELOW

Screenshot 2017-10-07 13.51.31

 

I spent 10 months editing 6 BELOW and you only need 97 minutes to enjoy it!

It’s in theaters October 12th and available to stream in HD on October 13th.

I will be posting a breakdown of how I created the first ever 6K Native workflow for a Hollywood feature film here on my blog October 14th.

Until then, here’s a some background on the true story of 6 BELOW…

LOGLINE

When a snowstorm strands former professional hockey player Eric LeMarque atop the Sierra Nevada Mountains for eight days, he is forced to face his past and come to terms with his personal demons in order to survive.

Production still of Josh Hartnett in 6 BELOW

Production still of Josh Hartnett in 6 BELOW

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18

Apr
2017

One Comment

In Editing
Film Score

By vashi

PEACHES at Pappy and Harriet’s:
Fuck The Pain Away (NSFW)

On 18, Apr 2017 | One Comment | In Editing, Film Score | By vashi

THE SONG

 

LIVE AT PAPPY & HARRIET'S in PIONEERTOWN, CALIFORNIA

PEACHES – LIVE AT PAPPY & HARRIET’S in PIONEERTOWN, CALIFORNIA

 

The first time I heard “Fuck The Pain Away” was in Sofia Coppola’s film
LOST IN TRANSLATION (2003) starring Bill Murray and Scarlett Johansson. Great use of music to create an awkward moment in the strip club scene!

 

 

Canadian musician PEACHES wrote and recorded the song in 2000
for her album THE TEACHES OF PEACHES. I love the song, love her music, love her approach to life and finally had a chance to see her live.

On a cold night at Pappy & Harriet’s in Pioneertown…PEACHES brought the thunder. Sick show. I recorded the performance on my iPhone 6S Plus and decided to cut a video the next morning.

My goal was to try to make the most interesting video with only my one angle of footage shot from the side of the outdoor stage. I took it as a creative challenge to see what I could come up with. I also chose to not use 3rd party plug-ins and only use the built-in effects of Premiere Pro.

2 shots superimposed of PEACHES

2 shots superimposed of PEACHES

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26

Oct
2016

One Comment

In Editing

By vashi

THE SHINING – Forwards and Backwards

On 26, Oct 2016 | One Comment | In Editing | By vashi

On 3/9/2011, John Fell Ryan and Akiva Saunders produced the first screening of
THE SHINING FORWARDS AND BACKWARDS, SIMULTANEOUSLY, SUPERIMPOSED. In their experimental film, they digitally re-edited THE SHINING so it plays both forward and backwards at the same time. By keeping the opacity of the top layer at 50%, the two versions are superimposed equally on top of each other. Only the audio from the forwards playing version is heard so that pure sonic chaos doesn’t overwhelm the viewers.

Somewhat shockingly, the visual symmetry of certain critical story points seemed to be more than just a coincidence.
The screen position of the actors during pivotal scenes also seem to flawlessly interweave in a graphically pleasing way. Was this planned by Kubrick (as presupposed by some) or is this just a curious by-product of happenstance and wishful thinking? Either way, the visuals speak for themselves and the viewer can see whatever they want to see within the imagery.

 

The Shining Forwards and Backwards

9 shots from THE SHINING FORWARDS AND BACKWARDS

 

A selection of scenes were featured in the 2012 documentary ROOM 237 but there hasn’t been a public screening of the experimental film in several years. There is not a full version in HD available on the internet as far as I know.
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12

May
2016

2 Comments

In 6 Below
Editing

By vashi

Extending Premiere Pro Markers

On 12, May 2016 | 2 Comments | In 6 Below, Editing | By vashi

 

Film Editing begins with organization. A feature film can have anywhere from 77 minutes of footage as in PRIMER to over 500 hours of footage shot on DEADPOOL. On both films…keeping track of the footage and making it all instantly accessible to the editor is paramount to a successful edit. On my current feature film 6 BELOW I am using markers in a new way.

 

Josh Hartnett in the survival thriller 6 BELOW

 

By using MARKERS on timelines and sequences to notate takes, scenes and memorable moments an editor can isolate specific shots or sections that all the filmmakers can use to help wrangle all the footage and help tell a clearer story with all the footage.

All editing software allows for dropping markers on timelines but I utilize one little know function inside Adobe Premiere Pro to help me mark larger groups of shots or sections of similar content. A marker is usually placed on one frame but I like to extend that marker to cover minutes or whole swaths of footage. I then assign a name to the marker and this allows me to visually spot my assets very easily inside my timeline.

Click the image below to see how to extend markers in Premiere Pro.

 

Extending Premiere Pro Markers

Extending Markers in Premiere Pro

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27

Mar
2016

20 Comments

In 6 Below
Editing

By vashi

6 BELOW: FILM EDITING IN 6K

On 27, Mar 2016 | 20 Comments | In 6 Below, Editing | By vashi

 

Photos courtesy of: Scotty Waugh, Mike Svitak and Derek Edwards

Photos courtesy of: Scotty Waugh, Mike Svitak and Derek Edwards

 

I’ve just finished editorial on the feature film 6 BELOW starring Josh Hartnett and directed by Scotty Waugh (Need for Speed, Act of Valor). This is my 10th feature film as an editor and a very welcome challenge both creatively and technically. It’s also the first feature film to be edited natively in 6K. I’m cutting the original RED 6K Dragon files (R3D) with no transcoding or proxies in Adobe Premiere Pro. We are framing for a 2.76:1 aspect ratio like The Hateful Eight and using Panavision Primo 70 lenses.

 

 

Vashi Nedomansky in the 6 Below editing suite.

Vashi Nedomansky in the 6 Below editing suite. Photo by Jon Carr

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