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Free After Effects Plugins Archives - Blog

19

Feb
2016

11 Comments

In Editing

By vashi

DEADPOOL PREMIERE PRO PROJECT TEMPLATE

On 19, Feb 2016 | 11 Comments | In Editing | By vashi

 

Deadpool Vashi

Vashi at FOX Studios in Century City for DEADPOOL screening

 

UPDATE: After I was hired as editorial consultant on DEADPOOL, one of the first things I did was create a custom 2-monitor Premiere Pro template for post production.

This was a solid starting point for all the editors and assistants before they customized it further to their liking. I designed the workspace with THE PANCAKE TIMELINE already active and a basic bin structure to keep the project organized right off the bat.

I also arranged the panels in tabbed groupings that made logical sense for our workflow and it also allowed quick full screen maximization with the tilde (`) key.

There are a limitless choice of options when you set up a workspace…this custom template was the most efficient and nimble option for our specific needs.

You can download the Premiere Pro template we used on the film below…

 

Deadpool-Template

click to enlarge

 

DOWNLOAD: VASHI’S DEADPOOL PREMIERE PRO TEMPLATE

 

RELATED: DEADPOOL PREMIERE PRO HANDHELD CAMERA PRESETS

 

Until next time…

vashivisuals.com

@vashikoo
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17

Feb
2016

2 Comments

In Editing

By vashi

DEADPOOL PREMIERE PRO PRESETS

On 17, Feb 2016 | 2 Comments | In Editing | By vashi

 

click to enlarge

click to enlarge

 

As the editorial consultant on DEADPOOL, I spent 9 months crafting the post production workflow used for the edit and also trained the entire post production team in both Premiere Pro and After Effects. Very early into the cutting, lead editor Julian Clarke asked me if we could add camera shake to certain locked-off, static shots.

This can be accomplished in Premiere Pro by manually animating the frame with keyframes or by using a 3rd party plug-in…but I wanted a real-time solution without using a plug-in. I reached out to Jarle Leirpoll , an amazingly talented editor who also creates free Premiere Pro presets utilizing the included effects built into the software. His JARLE’S PREMIERE PRO PRESETS VERSION 3 includes 98 free presets that cover both video and audio.

 

click to enlarge

Thousands of keyframes in the Hand Held Camera preset

 

Jarle created 7 custom handheld camera presets for DEADPOOL that could be applied directly onto clips and played back in real-time. Jarle shot footage with real cameras and mapped both the position and rotation of the handheld footage into his presets. It’s organic and real. It’s information captured by a human being and not the result of random computer generated data like the wiggle expression that After Effects would create. The difference between human and computer generated data may not look different viewing the keyframes…but their is an inherent honesty and palpable naturalness to ACTUAL human handheld movement compared to computer generated randomness.

 

click to enlarge

click to enlarge

 

The 7 presets are split into 2 groups with different functions. 3 presets can be used on footage with resolution that matches the sequence settings. These 3 presets will resize the footage to 104% so the edges of the frame will not show black as the footage is being moved around. The other 4 presets are for sequences where oversized footage is dropped into a smaller resolution timeline. This was the workflow for both GONE GIRL and DEADPOOL where 6K / 5K / 4K / 3K footage was edited inside a 2K sequence. This extra padding of resolution allows the handheld camera presets to move the footage WITHOUT resizing the source footage. This is the great benefit of shooting at a resolution larger than your final output as both stabilization and reframing can be accomplished without losing any resolution.

 

 

Download: JARLE’S DEADPOOL HANDHELD CAMERA PRESETS

and use these Deadpool Premiere Pro Presets on your projects for free.

BTW these presets work in all versions from Premiere Pro CS6 and later…

 

Until next time…

vashivisuals.com

@vashikoo Read more…

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3K 4K 5K 6K Aspect Ratio Free Templates

On 07, Apr 2015 | 2 Comments | In Editing, Low Budget Filmmaking | By vashi

One of the most post popular posts on VashiVisuals over the last 2 years is
The Ultimate Aspect Ratio Guide which shows 70 film frame sizes covering the history of cinema. It also includes 70 FREE widescreen templates in 1080 and 720 resolutions for filmmakers. HERE’s THE 2015 UPDATE…

 

56 FREE widescreen templates

 

In the past few years, 2K / 3K / 4K / 5K / 6K cameras have surged onto the filmmaking scene, so I have created 56 FREE templates (available to download below) to cover all these new frame sizes and resolutions. They are all PNG files (with transparencies) that can be imported into any NLE/VFX software and then dropped onto your full resolution footage to create cinematic framings.

Here are the 8 aspect ratios I’ve chosen: Read more…

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335 Free Film Editing Tools and Assets

On 02, Nov 2013 | 15 Comments | In After Effects, Editing, Low Budget Filmmaking | By vashi

Free tools I use every day for my editing jobs

 

I’m always on the lookout for tools and assets that make my film editing and post production workflow easier, quicker and more efficient. Many of them can be expensive and very specific to certain tasks…others are free and just as effective.

I’ve shared many of these in the past…but now I have compiled an updated list of all free assets on this one page. Every filmmaker can now easily harness the power of the creative and generous people that provided all these tools and assets.

There are many other free plugins/presets/templates available on the interwebz…but I wanted to share only the ones I use on a daily basis. There are 335 listed below…and I’ve tested or used every single one of them. The results you can achieve are only limited by your imagination. Dig in and enjoy!

Read more…

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VashiMorphic40 – The Free Anamorphic
After Effects Project

On 28, Oct 2013 | 74 Comments | In Low Budget Filmmaking, Production | By vashi

VashiMorphic40 4K free update link at bottom of page…

Films shot in the Anamorphic process are instantly recognizable. They have a quality and resonance that other lenses can’t capture. Anamorphic films seem to capture an almost 3D quality onto film’s 2D medium. The process makes creative use of aberrations such as long horizontal lens flares, oval bokeh and highly curved corners that all add a sense of heightened reality. Films are real but not necessarily reality…and the subconscious effect of Anamorphic lenses delivers an exaggerated look that is hard to replicate. This process is much more than just a wide aspect ratio..as demonstrated in The Ultimate Aspect Ratio Guide.

Main image of the demo for VashiMorphic40 wth curved lines

VashiMorphic40 replicates the lens curvature of a 40mm Anamorphic lens

Films shot in the Anamorphic process include: Jaws, The Royal Tenenbaums, Raiders of the Lost Ark, Pulp Fiction, Die Hard, The Parallax View and countless others. Getting your hands on Anamorphic lenses is very difficult for the low budget filmmaker…so I created my own After Effects project that replicates the look and feel of the Anamorphic process. If you drop your footage into the timeline…you will have access to 3 options that help you achieve the magical look without resorting to additional adaptors or lenses. This workflow has been optimized for cameras that capture 16:9 footage and for lenses between 28mm to 35mm (Full frame equivalent).

The Anamorphic lens that I chose as the holy grail to emulate is the Panavision Primo 40mm Anamorphic. It was the ONLY lens used on Roman Polanski’s Chinatown and used 95% of the time on Wes Anderson’s films Rushmore and The Life Aquatic with Steve Zissou.
I am proud to share with you my free After Effects Plugin Project…VashiMorphic40. Read more…

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6 Free Effects for After Effects & Premiere [Plugins]

On 15, Apr 2013 | 40 Comments | In After Effects, Editing, Premiere Pro | By vashi

Free Effects for After Effects

When editing any project…there are moments when a visual effect can be applied to help the story be told. These effects can emphasis something to make it more evident, subtly isolate a certain element or blend several assets into one shot. Sometimes these effects are added only as eye candy to add production value to a project. Ideally, you are not adding visual effects to hide mistakes or to cover up deficiencies in the story…but this has been know to happen. (Guilty as charged!) Read more…

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